Identify something about your location that would provide, in an alternate universe, a source of magic unavailable in other locations. This season's focus will acting like a classroom for their master class format. Our voices, however, are not the ones our listeners should be hearing on the subject. Gail Carriger joins us to talk about her Convention Survival Kit, which is full of things most of us wish we’d known to pack with us years ago. What traits make for a really good (err… evil?) Season 7. Season 6. Here they are! What types of mysteries can fit well as sub-plots? Season 11, Episode 8. Is there a perfect length? Sit down with your manuscript or outline, and in the margins, add notes about the emotions you’re trying to evoke with each scene, and where in the scene it’s supposed to happen. Only you can let go of all e… Steve Diamond joins us to kick off our month on the elemental genre of horror. This episode of Writing Excuses has been brought to you by Audible. It is mostly useful to writers. Focusing on elemental drama can be tricky. [[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/writing_excuses_logo.png]] Victoria Schwab, who also writes as V.E. (Note: When we say “two weeks ago” over and over, that’s just bad math. So… your career is … Sure, some are the real-life instances you may connect with, and others are cheesy ideas saved in your head. Howard: Because you’re in a hurry, Dan: and we’re not that smart. This week’s episode is a Project in Depth discussion focusing on Ghost Talkers, by Mary Robinette Kowal. Don’t believe me? Credits: this episode was recorded by Jeff Cools, and mastered by Alex Jackson ¹We’re differentiating “Relationship” from “Ensemble” because … Continue reading 11.36: The Elemental Relationship →. Podcast: Writing Excuses Tagline: “Fifteen minutes long, because you’re in a hurry, and we’re not that smart.” Format: Generally, four published writers discuss a topic about the writing craft or industry in fifteen minutes, more or less. Elemental Genre becomes particularly useful when you start blending the elements for sub-plots, character arcs, or even mash-ups. Whether or not your magic system has internally-consistent rules your readers can follow (per Sanderson’s First Law and last week’s ‘cast) you need to consider the ramifications of using magic in the worlds you create. If you’re new to Writing Excuses, or if you’re just curious about some of the terminology we use, let us break it down for you. Ramp up the tension! We begin in Houston, TX, on September 13; we’ll visit Cozumel, Georgetown, and Falmouth, and end up back in Houston again on September 22. Sometimes yes and sometimes no; our intrepid podcasters talk about how to know which situation is which, and explore the pros and cons of each method. Finding the right voices has not been easy, but it has been worth it. It is an educational podcast that helps novelists/writers. Are plot twists necessary? This list of notes is your “beat chart,” and it’s going to teach you neat things about your story. “You’ll Surely Drown Here If You Stay,” by Alyssa Wong, which is available to read here. Season 3. When is humor necessary … Continue reading 11.35: Elemental Humor Q&A with Victoria Schwab →. Writing Excuses Retreat 2019 Scholarships! a guest Nov 9th, 2015 855 Never Not a member of Pastebin yet? Hurray! [Charlaine] Thank you. These are the rules/tricks that we use to keep ourselves on task. [Whoo!] If you find problems with this index or the transcripts, please let me know at mbarker at computer dot org! 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